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MOVIE INFORMATION

Director-Shahnawaz Ali

Production Company-SVS STUDIOS

Sound Designer-Rajesh Chejara

Cinematographer-Kevin Jason Crasta

Editor-Shahnawaz Ali

Screenplay Writer-Vikram Bhatti

Original Story Writer-Raj Kundra

Action Choregrapher-Vicky Arora

Release Date-3 November 2023

Language-Hindi

Genre-Biography

Duration-1h 57min

Cast-Raj Kundra, Kumar Saurabh, Gaurav Mishra, Anand Alkunte, Errol Rodrigues, Mahesh Ghag, Sadanand Patil, Ganesh Deokar, Vinod Suryavanshi, Mahadev Jadhavmore

Director-Shahnawaz Ali

Writer-Vikram Bhatti, Raj Kundra

Cinematography-Kevin Jason Crasta

Music-Prince Mulla

Production-SVS Studios

Certificate-U/A

A school drama with fresh faces is mostly about love and romance, peer pressure, or the clash between the haves and the have-nots. Or is it? Not for director Soumendra Padhi, who delivers an extremely refreshing and thrilling movie. The set-up isn’t novel — two gifted board toppers from a humble background, Niyati (Alizeh Agnihotri) and Akash (Sahil Mehta), attending an elite school in Delhi on a scholarship programme. But what ensues during their stint is nothing like one has seen on screen before.

When passing farrey (chits to cheat in exams) is impossible, Niyati improvises in the most genius ways to help a bunch of her ridiculously rich and spoilt classmates. Leading them is her bench partner, Chhavi (Prasanna Bisht), and her friend, Prateek (Zeyn Shaw). What begins as innocuously saving Chhavi from their teacher’s ire leads Niyati down the rabbit hole of cheating in exams in exchange for money. Each time, the plan is cleverer than the previous one. The film’s main plot is a final international exam where all the students go to different examination centres. Niyati’s ingenious plan, which Akash gets pulled into, and whether it will pan out forms the rest of the story.

The USP of writers Soumendra and Abhishek Yadav’s narrative lies in avoiding the tropes of school drama and the thrill it serves. The contrasting worlds of the rich and the poor kids are presented well. While the former has the opportunities but not the fire to study, it’s the other way around for the latter. Interestingly, albeit dissimilar, parents’ expectations are a common factor. Chhavi’s father (Arbaaz Khan) wants her to give up her dreams of becoming an interior designer and study at Stanford to carry his business forward, and Akash’s mother wants him to let go of the full scholarship at Oxford to handle their humble laundry work. The movie’s music is another strong point. Sachin-Jigar give a club banger with Ghar Pe Party Hai, which is a chic portrayal of how the youth lets its hair down, a desi dance number with Macha De Tabahi, and MC Stan’s hip-hop title track. The splendidly-scored background music perfectly complements the drama.

Raj Kundra, Indian origin businessman and husband of Bollywood diva Shilpa Shetty, made his acting debut with UT69, which tells the story of the time when he was inside the Arthur Road Jail for over 60 days in pornography case. Despite the film garnered mostly mixed to positive reviews from film critics, UT69 is not able to capitalise it at the box office. It opened to just Rs 10 lakh on Friday and its second day at the box office is more or less similar. As per Sacnilk, UT69 earned only Rs 20 lakh, which is double than its previous day but still cannot be termed outstanding. 

The trouble with this two-hour-long tale is that instead of digging into details of the accusation—producing pornographic material– that lands Kundra in Mumbai’s Arthur Jail, where he has to stay for 63 days without bail, is that it is just one long litany of woes. From the time the clean-cut Kundra enters a large, empty quarantine cell where he is the only inmate, to an inhumanly crowded pen where hundreds of undertrials are forced to live in terrible, unsanitary, unhygienic conditions, and undergoes everything in between– filthy toilets, barely edible food, regimented days and nights—all we see is the despair and moroseness which besets our man.

AA Films, SVS Studios and The Bigger Picture Films’ UT 69 (UA) is the story about Shilpa Shetty’s businessman-husband, Raj Kundra’s period in jail as an undertrial in the porn videos case.The story, written by Raj Kundra, concentrates only on protagonist Raj Kundra’s time in Arthur Road (Bombay) jail for two months till he gets bail. However, Kundra assumes that the viewers are all aware of the alleged crime for which he was imprisoned as the story doesn’t explain that. There are cursory mentions of the same but no explicit attempt to establish the reason why he is imprisoned. In that sense, the story is incomplete and lopsided. Vikram Bhatti’s screenplay gets depressing almost as soon as the drama begins. It may not be everyone’s idea of entertainment to see the appalling condition of India’s jails and the way undertrials in the country are treated. While Bhatti has tried to infuse comedy into the otherwise depressing and morose story, the fact remains that at the core, it is a film which talks more about and shows hopelessness and despair. Scenes of filthy toilets and other toilet scenes, of the state of the rooms, of the behaviour of some of the undertrials, etc. make the audience feel repulsed more than sorry or sympathetic towards the undertrials. Even the humour may evince a few smiles but that’s just not enough. Shahnawaz Ali, Vikram Bhatti, Nipun Barua and Mousam Gupta’s dialogues are hard-hitting only at places.

UT69 takes a satirical look into the real-life incidents of businessman Raj Kundra`s days spent in Arthur Road jail.Making his debut as an actor and narrating his ordeal of spending 63 days in prison, Kundra stars in UT 69 that traces his time spent in Arthur Road Jail after his alleged involvement in a pornography scandal in 2021. While anyone would have thought that the intention behind the film was to clear Kundra's image or prove his innocence, strangely enough, the film doesn't touch upon the case at all, maybe because the matter is subjudiced. That somehow was quite a put off for a lot of people who couldn't see a point or purpose in watching a nearly 2-hour film based on someone's life in prison. We definitely needed more

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