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Martin is a horror movie directed by George A. Romero and released in 1977. The movie follows the story of Martin Mathias, a young man who claims to be an 84-year-old vampire. The film explores themes of loneliness, alienation, and the blurred lines between reality and fantasy.
Martin is a troubled young man who travels to live with his uncle in Pittsburgh. Upon his arrival, Martin begins to stalk and prey on women, drinking their blood in order to satisfy his need for sustenance. However, Martin is not a traditional vampire in the sense that he does not require a coffin or fear sunlight, garlic, or crosses. He uses razor blades to cut his victims, and often drugs them beforehand to make them easier to prey upon.
Martin is portrayed as a complex character, struggling with his identity and the knowledge that he may not truly be a vampire. Throughout the film, he undergoes therapy with his uncle's cousin, a priest named Father Howard, who tries to help him come to terms with his condition. Martin's interactions with Father Howard highlight the film's examination of the relationship between faith and superstition.
As Martin's killings continue, he begins to attract the attention of the police. He meets a lonely woman named Christina, who becomes intrigued by Martin and his strange behavior. Christina becomes one of Martin's victims, but she also becomes his confidante, offering him solace and companionship.
The film is shot in black and white, lending an eerie and foreboding atmosphere to the proceedings. The use of voiceover narration from Martin's perspective also contributes to the film's unsettling tone. Martin's internal monologue often reveals a sense of confusion and disillusionment, as he struggles to make sense of his existence.
Martin's story culminates in a shocking twist ending, which challenges the viewer's perception of what is real and what is imagined. The film's final moments leave the audience questioning the nature of Martin's condition, as well as the validity of his claims of being a vampire.
Overall, Martin is a thought-provoking and disturbing film that delves into themes of identity, faith, and the nature of evil. It is a must-see for fans of horror and psychological thrillers, and a testament to the talents of director George A. Romero.
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